CW: Incest, assault, abuse.
Hurricane Aaron is a film about brothers in tragedy. J.R. Howell’s first feature film takes viewers on a series of twists and turns that may leave some queasy, but thoroughly intrigued about the psyche, and rage, of its main characters, Aaron and Cory. There is more than just horror that lurks under the skin of this film. GenderTerror had a chance to interview the director, writer, and score creator, J.R. Howell about his psychosexual thriller and other upcoming projects.
GenderTerror: Why horror, especially queer horror?
J.R. Howell: My first horror movie ever was A Nightmare On Elm Street, which I saw when I was five years old. I love the thrill that horror movies provide. As I grew older, I similarly fell in love with the science fiction genre. One of the things so attractive about science fiction is the social commentary it provides through allegory or speculation. Truly great science fiction can be mind-blowing in that way. Lately, mainstream science fiction feels like it’s lost its soul and offers up action movies in space with tacky tech without really having any deeper meaning. Films like this seem to be evolving cinema to a medium without narrative. Yet, at the same time, horror is picking up the slack. Over the last few years, we’re seeing films marketing as “high concept horror.” Of course the truth is almost all horror is in some way “high concept.” Nevertheless, some horror films have taken a more overt approach to directly assert their attempt at social commentary, which is an astonishing effort when you think about it. Many criticisms of mega budget films that go on to tremendous financial success is that they’re too devoid of meaning so as to appeal to the widest audience as possible across countries and cultures. Yet, there’s a subgenre of horror that’s openly asserting that its making social critiques, come what may. I absolutely love that courage. So for these reasons I wanted to take on the social issues referred to in the film using horror.
Continue reading “Hurricane Aaron is Howelling Through”
This originally appeared on In Our Words Blog. The website is no longer available so I am posting this previously published piece here. It has been edited slightly to fit into my more recent words and writing style (such as an added paragraph) but 95% of the post remains the same as it was when it was posted to IOWB.
Why do trans people act so sensitive when you discuss trans identities? Why do they get so uptight and righteous when you start talking about the obviously fake trans people and not them? Why do they get so upset when you misgender someone out of spite? It’s not like you were talking about them! You’re just talking about the bad trans people who give queer people a bad name! People shouldn’t get so upset about that!
When you talk about people as a collective, you are talking about them. You are telling people it is ok to do these things as long as someone sees them as bad, wrong, or incorrect. You are telling others and setting an example of behaviors that are never OK to do to anyone. You are tone and identity policing people.
Continue reading “Righteously Mad”
Fire is destructive. Fire is consuming. Fire is all encompassing. Fire utterly destroys and devastates. When you complain about people fighting fire with fire, you are complaining that people are fighting destructive forces. It implies that, like the fire we are fighting, it consumes and destroys. It implies that the fire we are using has the power to utterly destroy at a massive scale. It doesn’t. At most, you get a burnt fingertip, like when you snub out a candle with your fingers, or you touch a too hot tea cup. We are not fighting fire with fire, we are fighting a blazing inferno named society with lawn sprinklers, the kind kids play in.
We are using these sprinklers to clear out whatever small semblance of safety we can claw together for a brief time, because as fire does, it intrudes and forces its way back in, only to engulf that space once more. We are clawing through the ash in an attempt to make a small comfortable bed among the rubble. It’s us trying to make this burning building somewhat comfortable for a mere second. Even if we all grabbed buckets and pails, fighting this fire together, our numbers would not be enough. Our efforts are but small and useless in comparison to the raging inferno we are facing. You don’t try to put out high rise with buckets and pails. You need more force, you need more power.
Continue reading “Fire Fighting Fire”
Trigger Warning: Trans*phobia, transmisogyny, cissexism
This piece will not be about how Brownworth exploited a minor to show her his genitals for journalism. This piece will not be about how Brownworth has been attacking trans women about calling her out on her pedophilia for profit either. This piece will focus on going into the very root of her beliefs and exposing her for the trans*phobic, transmisogynist that Brownworth is by virtue of her own writing, interviews, and views. Just like I did with the Brennan interview, I plan on doing the same with Brownworth. If you want to know more about the previously mentioned, the TransAdvocate and Sophia Banks have done very well for documenting this and her harassment. I may touch upon those in this article, but that is not my focus as two very prominent women have already covered that (and continue to).
Brownworth says she is an ally of trans women and trans* people. However, for an ally, she spends her time around people like Brennan and other TERFs. When called out on twitter, she falls back into these people for support against these ‘vicious’ trans* people. Often, she resorts to the same TERF tactic of saying anyone calling her out is harassing, stalking, and obsessed with her. She uses the same fear mongering tactics employed by those who wish to keep trans* people, usually trans women, from peeing in peace (as an example). I feel nothing better suits this and proves this point than her piece on the Michigan Womyn’s Music Fest (Michfest/ MWMF), minus all of the stuff on Twitter of course.
Continue reading “Faces of Trans*Phobia: Victoria Brownworth”